The musical, millennial life of âBaby Driverâsâ Ansel Elgort
Heâd been spending his spare time in the studio with Swedish House Mafiaâs
As Elgort worked in the Silver Lake dance studio of choreographer and Sia collaborator Ryan Heffington, things werenât totally clicking. Then Wright asked the âFault in Our Starsâ and âDivergentâ actor to name a song he knew by heart. Elgort surprised the director with âEasy,â by the Commodores.
âI was so taken aback that a 20-year-old would say that, that in itself made me think that maybe he was right for the part,â says Wright, who filmed Elgort acting out a scene to the song, which eventually became the soundtrack to a memorably moving sequence and the filmâs recurring emotional motif.
I think thatâs what landed me the job. It still is my go-to karaoke song.
â "Baby Driver" star Ansel Elgort on "Easy," by the Commodores
âHe was great â and he proved, exactly like he said, that he knew all the lyrics,â added Wright. âThat was the thing that really clinched it. And in the next draft, I wrote âEasyâ into the script.â
Seated at the controls of a cozy recording studio in West Hollywood, Elgort, now 23, starts humming the opening notes of the 1977 Motown hit he first learned to play on the piano when he was 12. âI think thatâs what landed me the job,â he says and grins. âIt still is my go-to karaoke song.â
In 2015, after a role in
He pulls his laptop out of a backpack and plays a track they cooked up two nights prior, Storch on the keyboards and Elgort singing and producing. âHeâs a real artist,â says Elgort.
The actorâs musicality helped him land âBaby Driver,â an ambitious passion project from âShaun of the Deadâ and âHot Fuzzâ filmmaker Wright thatâs filled with syncopated action scenes and car chases galore. Around Elgort, Wright lined up heavyweights such as Jon Hamm,
Ever since the filmâs debut at the South by Southwest Film Festival, critics have been heaping praise on the screeching-tires action romance about a young getaway driver called Baby (Elgort) who soundtracks his life with a steady stream of pop, rock, jazz and soul while falling in love and reckoning with his criminal connections.
And now the film has proved surprisingly potent at the box office as well, nabbing an estimated $30 million over its first five days of release (nearly as much as the $31 million that âScott Pilgrim vs. the World,â Wrightâs previous highest-grossing film in the U.S., scored over its entire run). Thatâs sure to be a boost for Elgort, especially since âBaby Driverâ marks his first lead role in three years.
The actor, singer and sometimes DJ already boasts a massive young fan base, including 7.9 million Instagram followers he engages with frequently, sharing glimpses from his life on the media circuit, on the basketball court or hanging out with his girlfriend, ballerina Violetta Komyshan. Fame seems to have come fast and easy to Elgort. But in discussing his rising film career and his budding side hustle, music, another word keeps coming up: art.
The son of artists (his father is fashion photographer Arthur Elgort; his mother is opera director Grethe Holby), Elgort grew up immersed in Manhattanâs art scene. He graduated in 2012 from NYCâs LaGuardia High School for performing arts â the âFameâ school, where he studied acting â and stepped right into his stage debut off-Broadway in the drama âRegrets.â
A year later he made his film debut in Kimberly Peirceâs âCarrieâ remake before being cast as
He has good reason now to keep his eyes on the prize. Standing a lanky 6â4â with an easy charm, the fresh-faced actor is, after all, among the most employable demographic in Tinseltown: young, white, and male. But four years into the game his image has arguably been bogged down by the occasional cocksure comment that, while dashed off with a youthful confidence, has not always translated charitably.
âIâm super easy to hate,â he admitted in an interview with Billboard. âBut itâs fine. Itâs hard to be liked and successful."
In person heâs agreeable, attentive, surprisingly undemanding. He greets me at the recording studio sans entourage or handlers, on the tail end of an L.A. trip heâs packed with business meetings. âYou have to sort of do those,â he shrugs, âbecause otherwise someone else will go in and then theyâll send that person the script. You have to be ahead of it all.â
He seems to know that humility is the best look for a movie star, even as he brims with a direct and unsinkable confidence. âI think being a movie star is more hyped up than it really is,â says Elgort, who adds that he still takes the subway everywhere back home in New York. âIf I want to go restaurants every night with paparazzi outside and make my life about being famous, I could do that. But I have more interesting things going on in my life than being famous. At least, more interesting to me.â
Navigating the Hollywood-celebrity complex with an on-brand charisma, he still acts, at least, like a youthful 23-year-old. One moment he lights up like a fanboy at the thought of Skrillex being in the building; later, he casually revisits the moment last fall on the set of the indie drama âJonathanâ when he flashed a handwritten anti-Trump message to spying paparazzi.
âTheyâre taking your photo, so you might as well put something in it,â he says. âIt was probably a little immature, but thatâs how I felt at the time. I still feel that way, to be honest.â
He appreciates the ease with which he broke it to his parents that he wasnât going to go to college and laments recent cuts to public arts funding under the Trump administration. âIf I hadnât become an artist, I would have been a loser,â he says candidly. âSomebody who doesnât really belong on an academic path. I wouldnât have been successful if I hadnât had the opportunity to become an artist.â
âHeâs a sweet guy and a crazy talent,â says Jon Hamm, who plays a volatile criminal called Buddy in âBaby Driver,â menacing Elgort in scenes underscored by Queenâs âBrighton Rockâ and Barry Whiteâs âNever, Never Gonna Give Ya Up.â âHe has a beautiful quality in that he really seems to enjoy it. Sometimes kids his age put on this world-weary, ironic, detached thing. Anselâs like, âNo! I really like this.ââ
Elgort remembers being confident at age 9 that he wanted to be a performer. Music came naturally, especially for a kid from the YouTube, Spotify and Soundcloud generation. Like his onscreen alter ego Baby, who fights a bad case of tinnitus by listening to his collection of iPods, his tastes run the gamut.
âWhen I was a kid, ELO was super square â at school you would not say you were an ELO fan,â Wright explained, laughing at some criticsâ disbelief that someone like Elgort would listen to the bygone era jams on âBaby Driverâsâ charging soundtrack, like âBellbottomsâ by the Jon Spencer Blues Explosion and Sam & Daveâs âWhen Something Is Wrong With My Baby.â âBut now itâs like, âI love ELO!ââ
For example, on one of Elgortâs current playlists, a work in progress titled âThe 50 Best Songs of All Timeâ: âPorcelainâ by
John Legend was an early role model for the young Elgort; electronic musicians like Avicii came into his life later. Both inspirations are evident in the R&B-style crooning he blends with dance beats in his songs like âThief,â an â80s-inspired single he debuted in February, and âAll I Think About Is You,â the track he dropped last week.
Many of his songs trace a similar theme of loneliness and longing. All of them are more or less love ballads written about his girlfriend, he admits with a smile, although ânow I think my songwriting is getting a little deeper, which is good.â Music has also been a salve as heâs hurtled headfirst onto the sets of blockbuster movies and long, isolating shooting days while building his career.
âIâve done three âDivergents,ââ he says, taking a long, reflective pause. âThat feels like a blur. What I remember most about âDivergent,â to be honest, is making music in my trailer. I love being creative, but not every day on âDivergentâ is a creative day. Sometimes youâre just running away from people shooting at you.â
âWhen Iâm acting, Iâm a little bit of a mercenary â Iâm hired to be a part of someone elseâs puzzle,â he explains. âBut music, this is my puzzle.â His overall plan with music, he says, is always shifting. âI donât want to have my goals control my art, you know what I mean? Of course, I would like to play a gigantic stadium tour. That would be awesome.â
When Iâm acting, Iâm a little bit of a mercenary. Iâm hired to be a part of someone elseâs puzzle. But music, this is my puzzle.
â Actor-musician Ansel Elgort
In the distant future, Elgort can see dipping his toes into directing; heâs already taken his first steps toward adding producer to his rĂ©sumĂ© with âThe Dukes of Oxy,â a true crime pic about high school pharmaceutical traffickers. Heâs producing alongside Michael De Luca, Oscar-nominated for âCaptain Phillips,â âMoneyballâ and âThe Social Network.â
Whenever conversation wanders to artists he admires, it seems heâs also given thought to the relationship art has had with the off-screen lives of his own idols. As we bid goodbye, I ask about the hoodie heâs wearing, emblazoned with the face of Marlon Brando â an acting legend he once named as his role model when Vogue interviewed him at the age of 18. And yet...
âI love Brando, but I donât want to have a life like his,â he says, planning to linger a little bit longer in the studio to tinker with some songs.
âIâd like to have a nice, happy life. Iâd like to have kids that love me and a wife that Iâm devoted to. As an artist he was brilliant because he was himself, but his life was very tragic.â He pauses. âIâd like to be a little more like Paul Newman.â
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